🎚️ Sound basics

LP, CD, MP3, FLAC — telling analog and digital apart

“Isn’t a CD analog?” is a more common question than you would think. Sound storage splits first into analog and digital, and digital splits again into lossless and lossy. Get those three buckets straight and LP, CD, MP3, AAC and FLAC all fall into place.

🌀Two worlds — analog is continuous, digital is stairs

Analog carves the waveform physically, without breaking it up: the undulations of an LP groove, the magnetic signal on cassette tape — the wave itself lives on the medium. Digital instead samples that wave tens of thousands of times a second and stores numbers, ones and zeros. A continuous curve becomes a finely cut staircase. CD, WAV, MP3 and FLAC are all digital.

💿 The common mix-up — a CD is not analog

Only vinyl and cassette tape are analog. A CD stores sound sliced at 44.1 kHz and 16 bits — unambiguously digital. It looks like an LP because it is a round disc, but its surface carries ones and zeros as pits and lands. So: LP → analog, CD → digital.

📊The three buckets

  • AnalogLP (vinyl), cassette, reel-to-reel. The waveform is carved physically. Warm, but with surface noise and wear.
  • Digital · losslessWAV, FLAC, ALAC — and CD. Ones and zeros, but nothing from the original is thrown away. WAV is uncompressed; FLAC and ALAC are losslessly compressed; CD is 44.1 kHz/16-bit.
  • Digital · lossyMP3, AAC, OGG. Converted to numbers, then stripped of sound judged inaudible to shrink the file. Not reversible.

🔍How to tell in practice — by player and by sound

The player is the easy tell. A turntable with a stylus means LP, so analog; a cassette deck means tape, so analog. A CD player, phone or computer means digital. By ear, analog carries a characteristic warmth and a faint background hiss, while digital has a clean background but a quantised, stair-stepped signal.

Where BrainHz sits

BrainHz is digital, but at the top of digital: lossless WAV. On top of that it restores the 16–24 kHz high frequencies that MP3 and AAC discard and that even CD struggles to carry — an attempt to bring analog’s rich top end back through digital. It sits at the opposite end of the scale from lossy compression.

Source

Audio fundamentals compiled for education, based on public specifications for analog media (LP, cassette), digital PCM (CD 44.1 kHz/16-bit), lossless formats (WAV, FLAC, ALAC) and lossy formats (MP3, AAC).

※ This article summarizes and restructures the key points of the source above.

Analog vs digital — LP, CD, MP3, AAC and FLAC explained | BrainHz